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Phil's Old and Odd Brass Collection:
US Civil War 1860-65 Band Instruments
Trumpets
Cornets
Flugel horns
and Keyed Bugles

Middle Brass
Mellophones
French  Horns
Trombones
Euphoniums
and Tenor Tubas
Heavy Metal:
The Bass Tubas

Ceremonial
and Signal Horns

Other Wind Instruments
Phil's Wish List 
Brass Links to
Brass Resources and
Other Collections


Double reed style
and
Conn Single reed Mouthpiece
Owning a Sarrusophone places one in a rather exclusive club with very few members!  Here is a recording made by
Sarah Cordish,
a bassonist who makes reeds, and who curently plays her Conn Sarrus   V162 - in local bands in Jerusalem Israel!
"Boys of Blue Hills Hornpipe"

Conn Eb Contrabass Sarrusophone c.1923

This strange beast is a contrabass Sarrusophone in Eb “New Wonder” model made by C.G. Conn in the mid 1920s. It is played with a double reed mouthpiece similar to that of a contra bassoon- but larger. Conn offered the Eb contrabass Sarrusophone, model 16V, as their Eb contrabass saxophone alternative.  Conn started manufacturing these instruments in 1921 on an initial contract with the US Army for 148 items.  Conn also offered these instruments to the general public and it's thought they built them as late as 1928. Conn also offered a single reed mouthpiece (based on a modified Soprano Sax mouthpiece (see sidebar) This instrument is inscribed:
Made by
C.G. Conn Ltd
Elkhart   Ind.
USQMC
Patd. Dec8, 1914
1119944
L.P. Eb
V143
The inscription needs some interpretation: "USQMC" stands for the US Quartermaster Corp which purchased almost everything for the military.  While the initial Army order was for 148 instruments, there is apparently a Conn serial number of #278 on record.. The Pat’d Dec. 8, 1914 and the number 1119944 refer to the patented process of drawing the toneholes from the body - an invention by William S. Haynes.  "Eb L.P." indicates instrument is the EEb Contrabass low pitch  model (A=440). This instrument is referred to as model 16V. V143 is the sequential serial number with V standing for the Sarrousophone (M stood for professional saxophones).   This instrument has 16 tone holes with rolled rims. Scroll down for a photo of the original Conn catalog page on the sarrusophone.

The sarrusophone is part of a family of transposing musical instruments originally patented and placed into production by Pierre-Louis Gautrot in Paris 1856. It was named after the French bandmaster Pierre-Auguste Sarrus (1813-1876) who is credited with the concept of the instrument.  Its intended use (in various sizes and keys) was to serve as a replacement for the oboe and bassoon in bands, the tones of which lacked the carrying power needed for the outdoor band music of that era (and to offer an alternative to Adolph Sax’s  Saxophone).

This specific instrument once belonged to Charles W. Langstaff, a Chief Warrant Officer and Band Director of the 112 Engineers Band US Army National Guard Cleveland Ohio. He served from the 1930’s through WWII and ended up in the Ernie Pyle orchestra in Tokyo after the war.   His son Al tells the story that Charles once ordered a new 'Sousaphone' for his band, but the clerk misspelled the item on the request form and this 'Sarrusophone' arrived! Much appreciation to Al Langstaff, retired trombonist in St Pete Florida who kindly donated this amazing horn to my mini museum!  I somehow doubt whether I'll be allowed to play it at Tuba Christmas!

 Hear a Sarrusophone emulate a Blue Whale!
Hear Grant Green play a Charlie Mingus Clip

NOTE: This is a "before" photo of my Sarrus -
on May 9th  It has been repaired, re-plated and re-assembled
and now can be seen on YOUTUBE